Posts Tagged ‘fcp’

REDucation Community Day July 23, 2009 @ LA Center Studios




Key Code Media —the post production industry’s answer for RED workflow solutions will give you a sneak preview of RED Conform and Finishing made EASY.

This will include a brief consultation session on Assimilate Scratch, Avid and FCP RED from start to finish, come by our booth and set up an appointment for a full demonstration.

Visit us at Booth #25


Mingle with guest speakers from the industry, technology sponsors, instructors, and students. See case studies and screenings, and check out new RED Tech and RED Post solutions.

A key part of education is interfacing with others in the industry to learn real world practices and methodology. Community Day is a key component to REDucation, and makes the learning experience available to everyone for the day.

REDucation is the only RED-approved and RED-sanctioned educational program for learning the RED camera, RED workflow, RED data management, and RED post production techniques.

See details and register below.


Parking Info:
General Admission parking $5 per vehicle located at:
The Athena lot – 1037 West 6th Street, Los Angeles, CA 90017
(6th Street is one way and can only be accessed heading west)

July 23, 2009 – Los Angeles, CA – REGISTER NOW
At Los Angeles Center StudioGet Directions
8:30am – 1:00pm Reserved for REDuction students to meet with the vendors.
1:00pm – 8:00pm Community Day opens to the public.
Pre-registration, $20 and includes lunch. $30 at the door


Categories: Events and Demos Tags: , , , ,

More About The RED Camera



We believe the RED Camera and digital film workflows will change our industry.  A disruptive influence, with disruption comes opportunity and confusion. 

Join Ted Schilowitz (RED) Lucas Wilson (Assimilate), and David Sconyers (Key Code Media) discuss Red acquisition, workflow and finishing.  Included are key differences between the main professional tools which integrate with the Red files.  You will receive unbiased discussion on the trade offs within the workflow and the management of files.

Recording raw data allows white balance, gamma and other image processing parameters like sharpening to be set during post production.  Now that the workflow is so heavily tilted towards post, cinematographers  tools and processes will change.

***Director Steven Soderbergh has shot his two features recently screened at the Cannes Film Festival: Guerrilla and The Argentine entirely with the Red One camera. Soderbergh is very enthusiastic about the camera, saying that “this is the camera I’ve been waiting for my whole career: jaw-dropping imagery recorded onboard a camera light enough to hold with one hand. I don’t know how Jim and the Red team did it—and they won’t tell me—but I know this: Red is going to change everything” Real-time, continuous, one-take demonstration of the RED workflow
Open 4K files directly in QuickTime Player, in real-time
Drop 4K files directly into Final Cut Pro
No rendering, no transcoding.

Check out the Red Mythbusters and download the podcast or quicktime file here. Also view the Red Camera Workflow Avid Media Composer Tutorial video here.



 ***”Steven Soderbergh to shoot “The Argentine” and “Guerrilla”, starring Benecio del Toro, exclusively with RED cameras”. Red News (2007-07-5)


Categories: Features Tags: , , ,