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Posts Tagged ‘ASSIMILATE’

Assimilate ROCKET FUEL Launch Exclusive Promotion

October 22, 2009 Leave a comment

REDucation

Exclusive Promotion

Assimilate ROCKET FUEL LAUNCH


Introducing Assimilate’s Rocket Fuel

Savings of up to $14,000.00 for anyone working with RED material


rocket fuel v5-9

 


 

 

 

 

 

 

 

 

 

 

With Rocket Fuel, you can now do the following:

  • Tape Dailies to any format: from NTSC & PAL up to dual-link 2048 x 1080
  • Screening in any format
  • QC for on-set and for post dailies
  • R3D CONFORM from Editorial EDLs
  • PAN/SCAN + OUTPUT in real time, with animated curves
  • SETUP FOR SCRATCH FINISH
  • SETUP AND TRANSODE FOR DI

and much more………………


Assimilate Rocket Fuel Promotional Bundle Includes:

  • Assimilate Rocket Fuel-nvidia Quadro 3800 SDI card, RED Rocket, SCRATCH CINE***
  • HPZ400-Intel Xeon W3540 2.93GHZ; HP 6GB RAM; HP 320 GB HDD; HP 16X DVD +-RW SuperMulti SATA 1st Drive; HP FireWire IEEE 1394a 3-Port PCI Card; Windows 7 64 BIT OS
  • Key Code Media FREE Bench Installation ($500 value)

Installation of hardware, software and testing (ask your sales representative for complete details on installation)

Total $12898.00 + sales tax

$443.39 + sales tax

(based on 36 monthly payments)


CLICK HERE TO contact your Key Code Media sales representative for more information

sales@keycodemedia.com This e-mail address is being protected from spambots, you need JavaScript enabled to view it

818-303-3900

questions about financing?

kcmfinance@keycodemedia.com This e-mail address is being protected from spambots, you need JavaScript enabled to view it


***Scratch Cine software owners will be issued a 30 day temp license until payment arrangements have been processed.

Once payment has been made a permanent license file will be issued and can be quickly installed to prevent any delay.

This can be performed onsite and does not require any special handling of your system hardware.


This promotion will expire on November 25, 2009


subject to credit + documentation approval

lease must be signed by 11/13/09

offer may be changed or withdrawn without notice-available in the US only-all standard taxes + fees apply

Northwest Video & Broadcast Show Vendor and Program Updates 10/8 (Seattle)

September 29, 2009 Leave a comment
 Key Code Media invites you to visit our facility in downtown Seattle where you will have the opportunity to  see new products (released at NAB 2009) and discuss your specific workflow needs with participating vendors* in the video and broadcast industry (list subject to change and be updated):
 
Assimilate (Scratch)
AJA
Cache-A 
Sony

G-Tech

Telestream

Newtek

Storage DNA

This show covers all facets of post production and broadcast from editorial, asset management, storage, RED and tapeless workflows, IT and encoding solutions.

_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_

This event will also feature in our main demonstration room:

Live presentation Media Composer 4.0 by Avid
12:00pm-2:00pm

Live presentation Media Composer 4.0 by Avid
6:00pm-8:00pm

Experience storytelling on the cutting edge in person. Join us to see the brand new Media Composer 4 in action, and find out why the best and most successful editors, directors, and producers trust Media Composer to create the world’s most watched, most loved media.

Whether you work on a Mac or a PC, learn how you can cut smarter and faster as you…

  • Get a look at the new and key features in Media Composer 4
  • Discover timesaving tools and innovations, including ScriptSync, AMA, and Mix and Match
  • Find new ways to work with tapeless formats, RED, and stereoscopic files
  • Learn how easy it is to integrate into many workflows and collaborate with others
  • See a demonstration of how the tools, effects, and workflow can be used in film
  • Get your questions answered by professionals
 
The Northwest Video Broadcast Show and
Avid Media Composer 4 Event are FREE
Northwest Video & Broadcast Show

WHEN 

Thursday
October 8, 2009
10:00am-8:00pm
WHERE 
Key Code Media 
200 West Thomas St Ste 100
Seattle, WA 98119

(between 2nd Ave West and W.Harrison St)

2 hour street parking is available

QUESTIONS?
Call: 206.728.4000

CLICK HERE TO REGISTER TO ATTEND

AVID MEDIA COMPOSER 4.0 DEMONSTRATION

You must register separately to attend the Avid 4.0 Event

12:00pm- 2:00pm
Free Lunch Seminar
CLICK HERE TO REGISTER

6:00pm – 8:00pm
CLICK HERE TO REGISTER

CAPACITY IS LIMITED, RSVP TODAY TO RESERVE YOUR SPOT!

REDucation Community Day July 23, 2009 @ LA Center Studios

REDUCATION_01

 

 

Key Code Media —the post production industry’s answer for RED workflow solutions will give you a sneak preview of RED Conform and Finishing made EASY.

This will include a brief consultation session on Assimilate Scratch, Avid and FCP RED from start to finish, come by our booth and set up an appointment for a full demonstration.

Visit us at Booth #25

 

Mingle with guest speakers from the industry, technology sponsors, instructors, and students. See case studies and screenings, and check out new RED Tech and RED Post solutions.

A key part of education is interfacing with others in the industry to learn real world practices and methodology. Community Day is a key component to REDucation, and makes the learning experience available to everyone for the day.

REDucation is the only RED-approved and RED-sanctioned educational program for learning the RED camera, RED workflow, RED data management, and RED post production techniques.

See details and register below.

COMMUNITY DAY

Parking Info:
General Admission parking $5 per vehicle located at:
The Athena lot – 1037 West 6th Street, Los Angeles, CA 90017
(6th Street is one way and can only be accessed heading west)

July 23, 2009 – Los Angeles, CA – REGISTER NOW
At Los Angeles Center StudioGet Directions
8:30am – 1:00pm Reserved for REDuction students to meet with the vendors.
1:00pm – 8:00pm Community Day opens to the public.
Pre-registration, $20 and includes lunch. $30 at the door

www.reducation.net

 

Categories: Events and Demos Tags: , , , ,

Client Success Story: Key Code Media Scratch Integration

September 24, 2008 Leave a comment

Alacrity Media Takes to the Road with the SCRATCH-RED Workflow

Alacrity Media has literally geared up for a SCRATCH-RED road trip with their newly assembled, customized Road Grader van. The Road Grader is used by the 4K Ninjas, an expert team of independent professionals skilled in the use of the RED ONE 4k camera and ASSIMILATE’s SCRATCH Digital Process Solution.

Blair Paulsen, owner and operator of Alacrity Media, founded the company to meet the 4K camera and post production needs of filmmakers, cinematographers, and creative teams that are using data acquisition to create their feature films, commercials and other imagery projects.

An early adopter of the RED ONE 4K camera — camera #19 — Paulsen firmly believes that RED is where the action is for the future. “And day I wake up as a DP is a great day for me, and the RED camera just makes it all the better,” says Paulsen. “RED uses cine lenses, offers 35mm depth of field, wide color gamut, and resolution to burn. Combine it with the SCRATCH digital post workflow and you can produce amazing imagery, no matter how large or small the budget.” To date, Paulsen has done 26 projects with the RED camera that include a Nike campaign and spots for Ford, Dr. Pepper, Diet Coke, as well as music videos.

Using SCRATCH, Paulsen has developed a highly efficient and cost-effective real-time SCRATCH-RED Data Workflow that delivers quality post-production results with a strong cost/benefit ratio for clients.

“We chose SCRATCH as our post-production software because ASSIMILATE developed a real-time SCRATCH-RED Data Workflow that efficiently supports the RED CODE native files and it offers all the DI tools we need,” says Paulsen. “SCRATCH is great at conform, construct, color grading, playback, and finishing. Clients can participate in real-time review sessions, make changes on the fly, and actually see how the film will look on the big screen.”

Paulsen takes his RED 4K camera and post-production suite on the road in a customized van, the Road Grader, which includes all the state-of-the-art hardware and software needed for digital filmmaking. Paulsen notes, “Clients have varying needs for their projects. For example, a complete post facility on location, an adjunct post suite parked outside a post facility, or shooting 4K material and playing it back in real time to ensure all the shots are right. We offer the front to back-end services a client needs to produce a high quality film in the most expeditious manner.”

The 4K Ninjas

Paulsen is also a member of the elite 4K Ninjas (www.4kninjas.net), a co-op group of independent professionals skilled in the use of the RED ONE 4K camera and the SCRATCH-RED Workflow. They have teamed together to offer complete camera package rentals, with all the peripherals, and broadly experienced on-set camera technicians, as well as on-site post production services.

Along with Blair Paulsen, the 4K Ninjas team includes Steve Tammi (camera #17), Evin Grant (camera #199), Brook Willard, and Zak Sandberg, who all have similar and complementary skill sets. The Road Grader is shared by the 4K Ninjas, working independently or together, depending on the needs of a given project.

As a co-op team, the 4K Ninjas have grouped together to meet the more complex needs of high-end productions with enough manpower and cameras, as well as the Road Grader post suite on wheels. Paulsen explains, “Some filmmakers want to rent the RED ONE camera for their DP, but have concerns about post workflows. We can layoff to their tape format of choice in real time, right on set. Other times we are the entire camera department. We offer the flexibility to work in the manner that best fits the client and the project.”

When rented, our RED ONE 4K camera package comes with a Ninja to answer any questions and help keep the RED shoot on schedule. Any of the Ninja pros can interface with the DP, camera team, sound mixer, playback operator, VFX supervisor, colorist, and support on-set editorial right in the Road Grader. We always provide an on-site camera Ninja and a Ninja data manager, who handles the downloading, organizing, and verifying of all the footage. The data manager is equal parts I.T. whiz, workflow guru, and REDCINE pro.

Road Grader: Mobile Digital Workflow

At the heart of the Road Grader suite is the SCRATCH-RED Data Workflow. Once the data comes off the RED camera and into the purpose-built Road Grader van, data is copied and backed up on a proper RAID. Using ScratchCine on an over-clocked Globalstor workstation, the clips can be opened and played back in real time at 2K or 1080p from the 4K r3d masters with full quality de-bayering. Editorial can be done right in the ScratchCine interface or in FCP, and conformed via EDL.

SCRATCH is then used for the color correction with lift, gamma, and gain. The JLCooper Spectrum control surface is used for precise control and speed. The eCinema DCM-23 color evaluation monitor is in a controlled environment that permits high-accuracy color timing on location. When the final cut is approved, we can output to disk or layoff to tape in real time. Using the nVidia Quadra 5600 with HD-SDI daughtercard, the system can layoff to HDCAM-SR 9or many other tape formats) in 4:4:4 or 4:2:2 color space without rendering.

“The Road Grader is a complete DI suite on wheels that offers incredible time and cost savings,” says Paulsen. “To work with high-rez 4K footage in a real-time post process is a major breakthrough in filmmaking. Right off you eliminate the cost and time required for rendering or waiting for dailies to come back from an off-site lab. Both production and post production timelines can be reduces significantly, while achieving better results.”

Paulsen adds, “The digital cinema negative is available a few minutes after the shot. With SCRATCH, the DP can immediately see the look of the shot, and we can make color corrections on site. The DP gets a sense of how the shot will look in the final cut. For instance, if you want an intense or high-contrast look it’s a huge advantage for the DP to actually do a one-light grade to see if they’re on target before striking the set. If the schedule allows it, the DP can actually do a tough grade on set and sign off on it.

“Once all the shots are done, SCRATCH soaks in all the data and the time code is automatically there. The user has access to the all metadata. The SCRATCH-RED workflow is so efficient that we save loads of time,” says Paulsen.

“Because SCRATCH is resolution independent, we can also use the Road Grader for post production in any format. The beauty is taking the DI suite on the road and adapting to any situation—on site, parking outside a studio, rolling cases of equipment into a facility and setting up shop, providing ‘road service’ as a back-up emergency team for any production.”

Wrapping It Up

“SCRATCH is a far richer, more powerful tool set than we had ever imagined,” says Paulsen. “Along with RED, it has truly been a driving force to our business model. Real-time data post production is the way to go for us and our clients, who always have tight deadlines and need the best quality results possible. Not long ago, superior imagery and quick turnaround were polar opposites. This workflow has changed the rules of the game.”